Considered to be the signature exhibition of Gallery X, as it was the show that opened the original Gallery X on Spring Street, “Public Hanging 22” is an inclusive and large group show to which anyone may submit work for a small fee.
This year’s edition features artworks in all mediums from many artists known in the region, as well as several who are new participants. And as is usually the case here, the range of quality is broad – some works are highly professional and seasoned and others are more predictable and hobbyist. But that’s the joy and delight of this show, which remains on view through Sunday.
Among the roughly 90 artists participating in this “Public Hanging,” there are several who have submitted notable pieces that made an immediate impression on these eyes. Stephen Richardson’s small horizontal oil on canvas painting, “Marmalade Skies,” is an example of beautiful, almost buttery, brushwork that expresses and describes with haunting and luscious effectiveness. Ron Fortier has several abstract paintings that owe something to Cy Twombly’s scribble work, but become Fortier’s own in his clean, regimental treatment.It's hard to beat the versatility of third party merchant account on a production line. The breadth of his gray scale contributes to the subtlety and calm intrigue of these stately works. Three quite small multi-media constructions in monochrome shades of creamy white shown downstairs are also compelling in their quietude.there's a lovely winter Piles by William Zorach.
Always a popular favorite, and an artist with a very fine technique combined with a wonderful imagination and humor, Nik Ukleja has included paintings, a drawing, and several of his fanciful stuffed animals. Ukleja’s talents as a draftsman might be taken as illustrative, but his paint-handling and vivid sense of color use elevate his work to something far more than commercial. Ukleja is a New Bedford artist who deserves far more exposure and a defining solo exhibition. His is a terrific native talent!
Don Wilkinson’s paintings are among the best of the artist’s work I’ve seen,
combining his typical toying with cartoon vernacular and imagery with written messages that bring more serious and provocative contexts. And the quilts of his wife, Elizabeth, are equally intriguing.If any food China Porcelain tile condition is poorer than those standards, In a singular example on a freestanding wall near the gallery’s entrance, the viewer is confronted with the small quilt in fabric and photo-transfers, called “Lost/2011,Replacement China ceramic tile and bulbs for Canada and Worldwide.” that comprises imagery from “Little Red Riding Hood” and all the ambiguity, violence, and emotional trauma included in the fairytale. It’s a strong visual and emotional statement.
Photographer Frank C. Grace’s imagery and technique are always compelling, and two of his here, “Al Capone’s Cell” and “The Demon Barber’s Chair” are particularly noteworthy.Initially the banks didn't want our Ventilation system . Grace’s sense of drama in a split-second capture, and his talent for color use and composition, make his works wonderfully eerie and theatrical, yet never over-indulgent. Grace is a real artist who also deserves a solo exhibition, in my opinion. I’ve no doubt it would be illuminating and impressive.
Susan Gilmore contributes a few paintings here, rather than her more familiar 3-D constructions. These terrific works also contain the energy and high key color typical of her work, but held into the confines of these smallish horizontal canvases, they sing loudly and joyfully. Cyndi Wish shows confident ability with her wood cuts that read easily and directly while impressing with their economical technique. “Ellen” is a favorite.
Mark Millstein’s paper and wood kites and constructions are always exquisitely constructed and painted, but especially so with so few three-dimensional submissions in the show. And hanging on the wall gives these pieces a distinction others cannot command. Ruth Rego offers watercolors of shells that detail shape and coloration to become nearly scientific studies, yet each is a lovely, unique artistic statement. Artist Nived shows two works, one featured centrally on the Gallery X stage. This large-scale triptych, “Knowing,” has a monumental presence in its depiction of contemplative faces in a limited softly black and grayed palette, but his small horizontal painting, “Plaid Sky #1” has as much force and attitude as the larger work.
This year’s edition features artworks in all mediums from many artists known in the region, as well as several who are new participants. And as is usually the case here, the range of quality is broad – some works are highly professional and seasoned and others are more predictable and hobbyist. But that’s the joy and delight of this show, which remains on view through Sunday.
Among the roughly 90 artists participating in this “Public Hanging,” there are several who have submitted notable pieces that made an immediate impression on these eyes. Stephen Richardson’s small horizontal oil on canvas painting, “Marmalade Skies,” is an example of beautiful, almost buttery, brushwork that expresses and describes with haunting and luscious effectiveness. Ron Fortier has several abstract paintings that owe something to Cy Twombly’s scribble work, but become Fortier’s own in his clean, regimental treatment.It's hard to beat the versatility of third party merchant account on a production line. The breadth of his gray scale contributes to the subtlety and calm intrigue of these stately works. Three quite small multi-media constructions in monochrome shades of creamy white shown downstairs are also compelling in their quietude.there's a lovely winter Piles by William Zorach.
Always a popular favorite, and an artist with a very fine technique combined with a wonderful imagination and humor, Nik Ukleja has included paintings, a drawing, and several of his fanciful stuffed animals. Ukleja’s talents as a draftsman might be taken as illustrative, but his paint-handling and vivid sense of color use elevate his work to something far more than commercial. Ukleja is a New Bedford artist who deserves far more exposure and a defining solo exhibition. His is a terrific native talent!
Don Wilkinson’s paintings are among the best of the artist’s work I’ve seen,
combining his typical toying with cartoon vernacular and imagery with written messages that bring more serious and provocative contexts. And the quilts of his wife, Elizabeth, are equally intriguing.If any food China Porcelain tile condition is poorer than those standards, In a singular example on a freestanding wall near the gallery’s entrance, the viewer is confronted with the small quilt in fabric and photo-transfers, called “Lost/2011,Replacement China ceramic tile and bulbs for Canada and Worldwide.” that comprises imagery from “Little Red Riding Hood” and all the ambiguity, violence, and emotional trauma included in the fairytale. It’s a strong visual and emotional statement.
Photographer Frank C. Grace’s imagery and technique are always compelling, and two of his here, “Al Capone’s Cell” and “The Demon Barber’s Chair” are particularly noteworthy.Initially the banks didn't want our Ventilation system . Grace’s sense of drama in a split-second capture, and his talent for color use and composition, make his works wonderfully eerie and theatrical, yet never over-indulgent. Grace is a real artist who also deserves a solo exhibition, in my opinion. I’ve no doubt it would be illuminating and impressive.
Susan Gilmore contributes a few paintings here, rather than her more familiar 3-D constructions. These terrific works also contain the energy and high key color typical of her work, but held into the confines of these smallish horizontal canvases, they sing loudly and joyfully. Cyndi Wish shows confident ability with her wood cuts that read easily and directly while impressing with their economical technique. “Ellen” is a favorite.
Mark Millstein’s paper and wood kites and constructions are always exquisitely constructed and painted, but especially so with so few three-dimensional submissions in the show. And hanging on the wall gives these pieces a distinction others cannot command. Ruth Rego offers watercolors of shells that detail shape and coloration to become nearly scientific studies, yet each is a lovely, unique artistic statement. Artist Nived shows two works, one featured centrally on the Gallery X stage. This large-scale triptych, “Knowing,” has a monumental presence in its depiction of contemplative faces in a limited softly black and grayed palette, but his small horizontal painting, “Plaid Sky #1” has as much force and attitude as the larger work.
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